English

29/11/2017 - Charles and Ray Eames are the legendary designer pair. With their furniture, films, books, exhibitions and media installations, they have influenced generations of designers and continue to shape our everyday culture. Until February 25^th 2018, the

Vitra Design Museum

presents '

An Eames Celebration

' – four parallel exhibitions that offer an unprecedented view of their work and life.

The focal point of the exhibition sequence on the Vitra Campus is the major retrospective 'Charles & Ray Eames. The Power of Design', which will be shown in the main building of the Vitra Design Museum.

In the Fire Station, a selection from the Eameses’ cinematic oeuvre of more than 100 films will be presented under the title 'Ideas and Information. The Eames Films'. Initially using film as a means of communicating their works and design concepts, they soon discovered the medium as an ideal platform for disseminating knowledge at the interface of design, art, science and technology. With this exhibition, the cinematic oeuvre of the Eameses is given due recognition for the first time as a key part of their overall work.

In the Vitra Design Museum Gallery, the exhibition 'Play Parade. An Eames Exhibition for Kids' invites visitors to discover and try out the many toys created by the husband-and-wife team. The exhibition demonstrates how seriously Charles and Ray Eames regarded their work and experiments with toys, and how play can be an important source of creativity – as they proved best of all.

Finally, the Vitra Schaudepot features 'Kazam! The Furniture Experiments of Charles & Ray Eames'. The exhibition presenting study models, experimental objects and prototypes. The exhibition shows iconic pieces like the Eames Lounge Chair, the sculptural seating object La Chaise or vintage production models made of plywood, plastic, aluminium or wire.

Charles & Ray Eames. The Power of Design - Vitra Design Museum

The exhibition in the main building of the Vitra Design Museum offers a comprehensive overview of the complete oeuvre and shared life of this husband-and-wife team. Featuring a large selection of original works – including films, photographs, furniture, drawings, sculptures, paintings, textiles, graphic designs, models and stage props – the retrospective illustrates the congenial synergy between the personalities of Charles and Ray Eames.

The first section of the exhibition documents the beginnings of the collaboration between Charles and Ray Eames. Trained as an architect, Charles Eames possessed exceptional technical skills, while Ray Eames née Kaiser had developed an infallible sense of colour, composition and form during her studies in painting. They first met in 1940 at the Cranbrook Academy of Art in Michigan, married one year later and opened the Eames Office at 901 Washington Boulevard in Venice, California, in 1947. At this location, which remained in operation until 1988, the Eameses and their staff developed and produced hundreds of commissioned works as well as their own, often experimental projects – from early products for the US military to films, exhibitions and interiors. Moving effortlessly between disciplines, Charles and Ray Eames worked together with many leading figures of their time, such as Saul Steinberg, Alexander Girard, Billy Wilder, George Nelson, Richard Buckminster Fuller, Eero Saarinen and Isamu Noguchi.

Charles and Ray Eames gained an international reputation with their furniture designs, which are displayed in the second area of the exhibition. They initially focused their efforts on plywood, exploring the limits of its capacity to be moulded into complex shapes.

In the late 1940s, they began experimenting with the increasingly popular material of plastic, creating the legendary fibreglass chairs that soon became a common feature in many households and public spaces. Over the following years, pieces that are now considered as milestones of 20^th-century furniture design were produced: for example, the Eames Lounge Chair, the Aluminium Group and the series of Wire Chairs and bases. The Eameses paid meticulous attention to every detail of their designs from start to finish, from the development process – which was pursued in close collaboration with the Herman Miller company and often spanned a period of several years – to the design of advertising photos, print materials and showrooms.

A further section of the exhibition is devoted to the Eameses’ interiors and buildings. The couple was fascinated by folk art, which they avidly collected on their travels and employed in numerous interiors together with their own designs, composing intricate arrangements. A prime example is Charles and Ray Eames’s own home, built in 1949 as part of the Case Study House Program, which aimed to demonstrate innovative forms of construction and living. In the Eames House, Charles and Ray orchestrated the intermingling of work and private life: this is where they photographed their own designs, shot films and received guests – giving rise to a mythical aura that was soon associated with the Eameses’ work. They also designed houses for John Entenza, the editor of the Arts & Architecture magazine and initiator of the Case Study Houses, for Max de Pree and for the filmmaker Billy Wilder.

The most famous furnishings and buildings designed by Charles and Ray Eames were created in a relatively short period of about 15 years. Beginning in the late 1950s, their attention increasingly shifted to exhibitions, films and multimedia installations, securing them a place as pioneers of the information age. Another section of the current exhibition is devoted to these works. The Eameses created several of the very first multimedia shows combining video and audio, such as 'Glimpses of the USA', a film projected simultaneously onto seven large screens at the 1959 American National Exhibition in Moscow, or the 22-screen slide show 'Think', which was presented in the IBM Pavilion designed by the Eameses in collaboration with Eero Saarinen for the 1964 World’s Fair in New York. In 1971, they conceived and designed 'A Computer Perspective', an exhibition on the history of the computer that presciently anticipated the revolutionary effects of digitalisation.

This retrospective exhibition encompasses more than 500 objects and exhibits, including extremely rare plywood sculptures created by Ray Eames, models of the Eames House and the IBM Pavilion, a reproduction of the room installation created by the Eameses for 'An Exhibition For Modern Living' and media installations such as 'Glimpses of the USA' or 'G.E.M.' Lenders to the exhibition include the Library of Congress, Washington D.C., the Museum of Modern Art, New York, the Eames Office and many other museums and private collections. The presentation in Weil am Rhein is based on an exhibition of the Barbican Centre, London, and was augmented and newly staged for the sole showing in German-speaking countries.